



Friday always makes for the most crowded festival experience. By then pretty much everyone and their grandmother has arrived in Manchester, and hasn't had enough time to exhaust themselves yet. Simply walking around felt like one giant game of frogger.
See that picture up there? That's not from this year, but it gives you an idea of how many goddamn people were at that stage watching Jose Gonzalez. It was an odd mix of die-hard fans, casual fans, people who heard "that one song on the commercial", and spectators simply seeking refuge under the shaded roof.
As expected, Jose played by himself. Just imagine being a lone person onstage, armed with only a silver voice and an acoustic guitar, up against a sea of thousands. I think I would have passed out right away from stage-fright to be honest.
Against all odds, he put on a wonderful show. Even as louder sets adjacent to his stage threatened to overpower his mellow sound, he was in complete control of the spellbound audience.
First off, stage presence. You have it or you don't. Jose was SITTING DOWN, and still projected a powerful aura. So you couldn't look away while he was playing (even though it was crowded and I couldn't really see him too well).
Also, I didn't realize what a fantastic rhythm player he is. Watch him do his thing in a captivating rendition of "Down the Line", a song off his second full-length In Our Nature (buy).
No rest for the weary. After Jose's set we had just enough time to grab a quick lunch before scurrying over to get up close for Minus the Bear.
..to be continued..
Modern art or just one big mess to clean up?
We were in camp zone 8...or as I heard one guy put it: the "chewbacca campgrounds". He was probably talking about our camp's artwork (see above), but could just as well have been referring to endless parade of shirtless cavemen running about!
Some of our neighbors' tents
Let me tell you about Nicole Atkins. I wandered to her stage by accident - MGMT just wasn't doing it for me - in an attempt to meet up with some other friends who came down seperately, and she was playing.
Her music is kind of that post-Michelle Branch, folk-pop, vintage American sound. Martha Wainwright if she kicked more ass. (listen here) Excellent set, definitely one of the more energetic acts I saw Thursday. Maybe some of the performers had opening-night jitters.
You can't blame the weather, a cool breeze fanned our bodies as the hot Tennessee sun set slowly on the horizon. Meanwhile I was rocking out to Nicole's set. Immediately afterwards I ran over to the CD tent and picked up a copy of her debut record, Neptune City (buy).
Left the CD tent and half-sprinted accross the festival grounds to catch the opening notes of: